All right, all right, it’s not a supercar and it’s not mine, I was just helping a friend collect it from the docks in Ramsey. But it is a real Lambo, and since it was a bright sunny day I decided to bring along the X-T3 and shoot a few snaps in Classic Chrome and Velvia, two colour profiles based on film which would have been popular when this little crawler rolled off the production line in Bologna.
Low tide and no rain? Must be time to explore another shipwreck, this time the S.T. Cevic near Ramsey. The remains of this unfortunate steam trawler are testament to the fact that you shouldn’t use a large unwieldy vessel to chase down a smaller one in a storm, close to rocks. Luckily nobody was hurt.
The Manx coastline is dotted with many interesting wrecks, including the Steam Trawler Pasages. Originally built in 1917 for the Canadian Navy in Toronto, she made her way to the UK in the 1920s and was converted to a fishing trawler. In 1931 she ran aground in foul weather near Jurby, where she’s been quietly rusting ever since.
Do you want to use Fujifilm’s film simulations in Lightroom, but struggle creating your own colour profiles? I did until now, and have just found out something that just about everybody seems to know: those film simulations are right there, in the Profile Browser. In this very short piece I’ll show you where to look, and how you can configure Lightroom to apply a preset automatically.
I spent a couple of hours on the Stumpjumper yesterday exploring Cringle Plantation, one of the more technical mountain bike areas on the Isle of Man. Towards the end of the blue dot community trail I was transported into a magical woodland of mature, moss-covered larch, planted just wide enough to allow a carpet of wild clover to conceal the entire forest floor, and that carpet was now in full bloom.
In the never-ending quest to try something new, I’m revisiting one of the brands which started me out in digital photography at the turn of the millennium: Fujifilm. This post contains a few thoughts and impressions of Fuji’s X-T3 mirrorless camera, written from the point of view of a long-term Nikon full-frame and Olympus Micro Four Thirds shooter.